Just three sentences here. The syntax of the first is hard to follow, but logical: "Never until ... shall I ... ." The poem has a primal feel, and I think it is Judaeo-Christian. The last line, to me, says that on some level this is about the fall of man. The tragedy of one is the tragedy of us all.
A Refusal to Mourn ...
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child’s death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further
Elegy of innocence and youth.
Deep with the first dead lies London’s daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
Unspeakable
We look at poems that work and try to figure out what's doing the lifting. Formal, experimental, lyric, narrative. Mostly contemporary. Scroll down.⬇😀
Subscribe to:
Post Comments (Atom)
I like the frivolity of this one. The long blank spaces suggest a youthful, breathless excitement over love. This poem was included in an is...
-
From the 20th c., here's a mysterious thing. What is the writer thinking? Is it just that the name Galileo and his awakening, changing, ...
-
The speaker looks at contemporary burdens related to beauty in the context of being African or dark skinned. A lot of care went into this. I...
-
The same person who wrote the political and psychological Captive Mind also wrote simple, straightforward poems, like this. Milosz, who defe...
No comments:
Post a Comment